Sponsored by Lucy and Sergio Amato, Janice and Kelly Cain, Karen and David Jones, Donna and Richard Lawhon, Debbie and Ben Lewis, Ally and Joe Leizer, Nancy and Rob Spilman and Lynwood Artists
Charlie Brouwer and Jennifer L. Hand collaborated to create Leaves of the Tree, a unique exhibition based on life-giving tree leaves.
The title of the exhibition has many connotations for both artists. Their individual and collaborative works have always shared a general concern for humanity's relationship with nature and frequently depict trees, leaves, landscapes and skies. The title also alludes to their familial relationship as father and daughter.
An overarching concept of the exhibition is that we are all leaves of one universal Tree of Life. This is as timely as it is timeless. It reflects the artists’ interest in making art that inspires a sense of community and equality amongst all peoples as we strive to live together on this earth we call home.
The installation includes hundreds of life-size leaves sewn from donated fabric, suspended from the ceiling and surrounding a large wooden tree trunk form that extends from the museum’s lobby into the galleries.
Admission Free
Sponsored by Lucy and Sergio Amato, Janice and Kelly Cain, Karen and David Jones, Donna and Richard Lawhon, Debbie and Ben Lewis, Ally and Joe Leizer, Nancy and Rob Spilman and Lynwood Artists
Drawn to things that have layers of history, Leslie Pearson is a scavenger for lost or forgotten things. Her work includes many found objects, from handwritten letters, journals and old books to rusty metal, postage stamps, buttons, teeth, animal bones and bits of fabric. Pearson likes to imagine the stories that these treasures hold. She also finds inspiration in organic forms found within the natural world such as pods, seeds, nests, eggs and shells—mostly for the metaphor they hold as keepers, protectors and incubators.
Combining traditional sewing, embroidery and embellishing techniques and materials with found objects, Jennifer Reis creates decorative, iconic objects that exist as female power figures. Her textile works are hand-sewn and beaded, created through a slow-art process; The creative act serving as a meditative process. Reis's work concerns the female form as an ornamented and empowered form existing within a ritualized context. Her work is inspired and informed by fashion, feminism and a Catholic aesthetic rooted in her upbringing as a German-American.
Admission Free
Sponsored by Jill and Jay Dickens, Anne and Eric Smith, Barbara and Guy Stanley, King's Grant, Books and Crannies and Lynwood Artists
George Ray Shelton's painting style shows influences ranging from classic masters to contemporary media. Whatever the subject, one thing is clear: his brushes and spatulas are indeed his "tools of happiness."
Admission Free
On loan from the Virginia Museum of Fine Arts
Sponsored by Jill and Jay Dickens, Anne and Eric Smith, Barbara and Guy Stanley, King's Grant, Books and Crannies and Lynwood Artists
Born to Italian immigrant parents and raised in Rochester, New York, Chiarenza’s interest in photography developed early in his childhood. From 1953 to 1957, Chiarenza studied at the Rochester Institute of Technology under the direction of Minor White and Ralph Hattersley. Since the late 1960s, Chiarenza has been a leading figure in a movement that seeks to expand the conceptual boundaries of photography. Chiarenza’s photographs have been included in more than 80 solo and 250 group exhibitions since 1957. His black-and-white photographs, which often contain elements of collage, have continued to challenge notions of landscape, abstraction, visitor perspective, and the very medium of photography itself.
Chiarenza is inspired by both the beauty of and human connections to landscapes, but has been continuously dissatisfied with his outdoor nature photographs. In acknowledging that traditional depictions of landscapes in paintings are constructed, he began to approach his photographs as abstract and emotional constructions that allow us to examine nature in relation to the self.
The key characteristic that came to dominate Chiarenza’s style was nyctophilia, or a preference for and comfort in darkness. His photographs do not offer familiar faces or landscapes; there is no evident cultural or psychological framework for the viewer to build their response. Rather, the lack of specificity and sense of timelessness reminds us that all photographs are constructions of reality that produce various interpretations relative to each viewer. Chiarenza’s work invites individual reflection by forcing us to examine the subliminal workings of the mind. In these photographs, nothing is absolute, leaving all realities subject to each observer.
This exhibition is curated by VMFA Director and CEO Alex Nyerges. These works were all a generous gift of the artist.
Admission Free
Sponsored by Jill and Jay Dickens, Anne and Eric Smith, Barbara and Guy Stanley, King's Grant, Books and Crannies and Lynwood Artists
Asheville Printmakers is an independent alliance of artists working out of the Asheville, NC area, who express themselves through the medium of print. The group's work encompass a wide range of processes and content, from traditional to experimental and classic to contemporary. Their printing methods vary from relief printing such as woodblock, linocut, and wood engraving, to intaglio methods such as drypoint, etching, collagraph and photogravure. Some use alternative photographic printing processes such as platinum-palladium and gum biochromate; others employ monotype and variable editions in their work. A common thread is a hands-on involvement in making prints.
Admission Free
On loan from Music Maker Relief Foundation
For 35 years, photographer Tim Duffy has forged a unique vision immortalizing Southern musical heroes and the world in which they live. This compelling collection of images was made with the wet-plate collodion process, which Duffy has explored with the assistance of Aaron Greenhood. These photographs were then taken to breathtaking heights with platinum/palladium printing, sponsored and produced by 21st Editions. Music Maker Relief Foundation partners with Southern musicians to keep our cultural heritage alive.
Admission Free
Imagine stumbling upon a timeworn box of postcards. Maybe you are exploring a flea market, a museum archive, or even a dusty attic. A sense of voyeurism compels you to look closer and to read the one-sided correspondence on the cards. Perhaps you wonder about the writer, the addressee, and the images themselves. And maybe, just maybe, you find yourself time-traveling as you experience the life witnessed in these intimate missives.
The Postcards
This is the premise behind Dear B.J.: Postcards from the Pandemic. This series is a creative non-fiction interpretation of life in Appalachia during the COVID-19 pandemic, as imagined through intimate postcard-sized images and one side of written correspondence. Each card features a black-and-white photograph with a backside written to a mysterious B.J. and signed by “ME.” Through these vagaries, King invite the viewer into a shared world. Perhaps you wonder who B.J. is, or maybe you know. Perhaps you relate to the “ME,” who signed the cards. And as you think about it all, perhaps you overlay King's visual narrative over your own.
The Images
King began photographing her neighborhood during daily walks in March 2020, when social isolation became the normal way of life. These images are purposefully reminiscent of the photography prevalent during the 1918 pandemic, specifically Pictorialism. This turn-of-the-20th-century art movement employed photographic manipulation to heighten grain and increase shadows to enhance an image’s emotive and atmospheric qualities. Such images read like poetry to King and are what she envisioned when working with these photographs.
Much like the end products of Pictorialism and early tourism memorabilia, King chose to print her artwork using a photo-mechanical process. She finished these as photopolymer gravure prints, a modern incarnation of the historic photogravure practice. Photopolymer gravures involve transferring an image to a light-sensitive printing plate, which is then developed, hardened, inked and paper is pressed onto the plate to create the end photograph.
VMFA on the Road is a traveling art museum from Virginia Museum of Fine Arts, that brings art to remote corners of Virginia by way of the museum's Statewide Partners program.
Tour A View from Home: Landscapes of Virginia, featuring paintings, photographs, woodblock prints and engravings from the VMFA's permanent collection representing various styles and periods. Featured artists include Adele Clark, Hullihen Williams Moore, George H. Benjamin Johnson, Miwako Nishizawa, and others. A View from Home takes the place of VMFA on the Road’s first exhibition, How Far Can Creativity Take You: VMFA Fellowship Artists, which included works by Sally Mann, Cy Twombly, Dennis Winston and others.
Admission Free
Roger May is an Appalachian American photographer and writer based in Alum Creek, West Virginia. He was born in the Tug River Valley on the West Virginia and Kentucky border, in the heart of Hatfield and McCoy country. His work explores the complicated history of place, faith and identity in the coalfields. In 2014, he founded the crowdsourced Looking at Appalachia project. He lectures about his work and about the visual representation of Appalachia.
Admission Free
Moths are the shamen of the night forest, hidden until we seek them. Deborah Davis brings to light the true character of these nocturnal creatures in paintings that are at once expansive and intimate. Capturing the intricate patterns and colors of moths—which are rarely observed in casual encounters at the porch light—in grand scale, Davis lifts the veil of mystery surrounding these nighttime visitors.
Admission Free
Expressions is an annual exhibition of work by artists from southern Virginia and the surrounding regions. This showcase of regional talent features an eclectic mix of work from more than 90 artists, including watercolor, oil and acrylic, 3D, mixed media and drawing.
Admission Free
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